TASK 2 (Visual Analysis & Ideation)

TASK 2 (Visual Analysis & Ideation)

Week 3 – Week 5


Sadman Kader (0370190)
Bachelor of Computer Science (Honours)

Instructions (MIB)

Process Work

01. Brief

This task requires a thorough analysis of the artwork chosen in the first task by evaluating its effectiveness, size, placement, design principles, and purpose. The goal is to understand how the elements and principles interact and to explore potential improvements. 

Objectives of Task 2
  1. Writing a 300–350 word visual study of the chosen piece of art. Design principles including balance, contrast, emphasis, unity, and movement are used to break down the design's size, placement, use of space, effectiveness, and overall impact.
  2. Offering three suggestions for enhancements that could increase the impact of the artwork. These concepts need to be accurate in design principles and backed up by brief justifications (30–50 words per idea). Visual references that served as inspiration for these enhancements may also be included, properly cited.
  3. Documenting progress and obtaining feedback from the instructor to help improve the analytical and ideation process.
The purpose of this project is to foster the critical thinking, analytical observation, and generating ideas that are necessary for properly assessing and enhancing design compositions.

02. Visual Analysis

Title: Composition with Red, Blue and Yellow
Artist: Piet Mondrian
Year: 1930
Size: 86 x 66 cm
Media: oil, canvas

Phase 1: Observation

The art "Composition with Red, Blue, and Yellow" has a structured arrangement of primary colours—red, blue and yellow—that is contrasted with the black lines and the white. The black lines are thick which divides the composition into multiple blocks of rectangles and squares of different sizes. Some of them are filled with colour while others remain white. The red block is the most prominent since it occupies the maximum space and has a high contrasting red colour compared to blue and yellow. The colours are painted in solid. The asymmetry in the application of the positioning of the colours and black lines gives the artwork a sense of movement. The repetitions of the black lines not only separate the colours but also add a rhythmic quality to the whole composition which guides the viewer's eye throughout the artwork.

Phase 2: Analysis

This composition serves as a good illustration of how to use design principles. The large red portion of the artwork clearly counterbalances the small blue and yellow portions, establishing the asymmetrical balance. This has automatically drawn the viewer's attention to the red dominant area, making it a focal point. The vivid primary colours and thick black lines provide a striking contrast that ensures structure and distinction. By using geometric repetition and a limited colour palette, the artwork further illustrates unity and harmony throughout the composition, reinforcing the principles of the De Stijl movement. The way the eyes follow the black lines and explore the different colored sections facilitates the application of the movement principle. The well considered elemental proportions and spacing enhance the piece's overall visual attractiveness, making it a classic illustration of balance and contemporary design principles.

Phase 3: Interpretation

Piet Mondrian’s “Composition with Red, Blue, and Yellow” is an iconic and revolutionary work that perfectly exemplifies the principles of the De Stijl movement. It creates the illusion of an ideal over an idealized piece of art in response to reality. The geometric shapes and primary colors provide a celebration of Mondrian’s search for universal harmony — an aspiration with roots in Neo-Plasticism. By deconstructing art into its most essential parts—colour, form, and structure—Mondrian sought to create a language that was removed from time and society. Beyond fine art, the artwork has had a significant influence on contemporary architecture, interior design, and even corporate branding that has far-reaching effects in unexpected places it has impacted. The power of Mondrian shows that something so simplistic and visual can be relatable to so many and relevant even in this day and age (we still draw heavily from the same values in our designs).

03. Sketching Ideas

Sketch:1

Fig.Sketch 1

In this sketch, I applied gradient colour transitions to Mondrian’s Composition with Red, Blue, and Yellow. I replaced the solid colours of white with light-gray gradient and also replaced the solid primary colours of red, blue and yellow with the gradient transition colour. This has introduced a sense of depth, movement and fluidity which makes the design more dynamic. By the gradual blending of colours, the design feels less rigid. This approach enhanced contrast, emphasis and harmony that reinforces the Gestalt principles while maintaining Piet Mondrian's signature
geometric abstraction.

Inspiration:
Source: DIGITALSILK



Sketch: 2

Fig. Sketch 2


In the above sketch, I added the yellow section on the top left to introduce symmetry. This has created a balance and reinforced visual stability. On top of the design, I repeatedly added varying thickness of lines to create movement, leading the viewer's eye towards the dominant red section. This effectively applies contrast, emphasis and rhythm which makes the design more engaging while maintaining Piet Mondrian's unique geometric abstraction.

Inspiration:

Sketch: 3

Fig. Sketch 3

This artwork takes inspiration from Mondrian’s geometric precision by utilizing a large red circle and, at the same time, forming a dynamic focal point. The use of vivid primary colors on the plain black grid is eye-catching and impactful, inviting viewers to play with a mix of symmetrical and asymmetrical elements, while the small blue circle and yellow square serve as contrasting features to maintain balance in the composition.
Inspiration:

Source: paperform

Feedback

Lecturer told me my task is overall done and I need to start to think about task 3.


Reflection

Working on the second task of my project, dedicated to the analysis of Piet Mondrian’s Composition with Red, Blue, and Yellow, opened my eyes to quite a few aspects. I pursued examining how the use of limited colors and basic shapes allows the artist to maintain visual harmony and lives up to the fundamentals of the De Stijl movement. When I tried to think of some ideas, how to improve such an iconic artwork, it was both exciting and challenging. Adding gradients to explore some motion and dimension on the canvas was a stunning experience as I followed the process of how even slight changes in the paintings can make them so different. This was not the task of observing the artwork; rather, it was the one of interaction with it and the exploration of its content and composition. The entire experience has allowed me to strengthen analysis skills and increase confidence in terms of working with such principles as design.



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Final Compilation Below are the links to my tasks: Task 1 Task 2 Task 3 Final Design Composition with Red, Blue and Yellow enhanced by Sadman Kader Final Reflection: My comprehension of fundamental design principles such as balance, contrast, motion, or perspective has deepened. The exploration of those elements has helped me to realize how the different element interacts to create both the desirable visual messages and the essential pattern of achieving a design. What I Enjoyed Most: I found the practical part of the module very interesting since it consisted of my own artwork that I created using design principles inspired by Piet Mondrian. I had a lot of fun experimenting with and altering different aspects and observing how they affect my overall perception of the design. What I Enjoyed Least: The kind of task that I was least excited about was the stage of conceptualization, where I struggled to decide how well I can actually apply the principles of Mondrian to my work and how muc...
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